Tonight I am talking in the bay’s white fog,
a spot where the bay shuts its mouth,
and a gull glides near.
Stiff-winged, the gull sings the thick whistle
of an old wound. Once, I stood
in the bay’s dark waters.
I was a boy looking at the arms of stars,
spindly tips, fingerless, sharp as mouths.
I do not wish these stars closer now.
I never did. And though the gull gets nearer stars
than I ever Will, I do not envy the lone gull
its night air or its dark tail. The gull must cull fog
with tiny eyes, its short black beak pushing
first, and I simply can stand
like a turned post in the white slow mud of wind,
an old log left behind by a long-left-behind bridge
or an old man who is dust in this damp sand.
Now I will long forget the dampness of this sand.
And I can stare at the wind like the stars for an hour,
for Will has lost its blessing, and I am washed
from the skin by the rattle
of waves, by cold air. This white salt
in the water on the sand as dim
as the dead star reaching,
reaching into the gull’s dark white heaven.
I look away. I wander into the wide night.
Joe Jiménez lives in South Texas with his two xolo itzcuintlis and an affinity for the Gulf. He authored Silver Homeboy Flicka Illuminates the San Juan Courts at Dawn (Gertrude Press 2012), and his work has appeared in elimae, La Petit Zine, and the short film “El Abuelo.”
Love it. Right back atcha – http://philypfeif.com/2012/09/03/left-unsaid/
what is left unsaid
remains the same
for all of time
i will tell you
if you will listen
of the bells rung
of laughter and forgetting
i will tell you then
if ever there was
such a thing
when after coming
from hallways and doors
i stopped to look around
but you were not there
from door to door
and through other hallways
to other rooms upstairs
unwinding still listening